A book, celebrating the landmark achievements and outstanding practitioners in the last 30 years of the Nigerian film industry has been published.
Titled: ’30: Three Decades of the New Nigerian Cinema – A Bystander’s Verdict,’ the book is authored by celebrated journalist, film critic, former Managing Director of National mIrror newspapers and former Commissioner for Tourism Arts and Culture in Lagos State, Mr. Steve Ayorinde.
The book is on sale globally by Amazon in print – both hardcopy and paperback – and also on Kindle.
A statement released in Lagos on Friday by the co-publishers of the book, Patrons Media, stated that the book is also available on Smashwords and Lulu for global audiences and on Okadabooks in Nigeria.
The statement further informed that the formal unveiling of the all important book is scheduled for after the Nigerian general elections, at the end of March.
The statement added, “In six chapters, 30: Three Decades of the New Nigerian Cinema curates 30 each of those that the author considers outstanding among directors, actors, actresses and feature films released in Nigeria since 1992.”
Quoting from the book’s Preface, the statement highlights the author’s intention in writing about an industry that he has encountered closely as a cub reporter, editor and columnist, editor-in-chief, member of jury and as a former commissioner.
“This book simply seeks to celebrate and document some of the outstanding films, directors, actors and landmark events, which have in the past 30 years or thereabout, defined the industry we now celebrate today; without forgetting other legendary names that played their parts, but who are no more on planet earth.”
The statement, quoting Ayorinde, added that “30 each of such outstanding professionals and movies have been selected for special highlights in this book as exemplary representatives from a large pool of talented practitioners and outstanding films that best celebrate this phenomenal industry in the past three decades.
“This industry was built out of their sweat and labour of love. The choices contained in this publication are simply my preferences as someone who has encountered the industry and most of its key players closely for more than 30 years.”
From classic oldies like ‘Asewo T’o Re Mecca’ and ‘Living In Bondage,’ both in 1992, to ‘Ti Oluwa Ni’le, Glamour Girls, Mortal Inheritance and Igodo;’ up to ‘Ije, October 1, Sadauki, Half of a Yellow Sun,’ and the more recent ‘King Of Boys, The Milkmaid and Amina,’ the book curates a rich spread of some of the films that redefined the new Nigerian cinema.
In the Foreword to the book, penned by respected scholar and one of the first international academics to spread the gospel of Nollywood globally, Prof. Jonathan Haynes, said that Ayorinde’s journalistic work in the early and mid-1990s “were the first I found that gave some kind of handle on what this thing (Nollywood phenomenon) was and who the people were who were creating it.”
Prof. Haynes averred that in one way or another, the film industry has always been in his (Ayorinde) bailiwick.
He wrote, “You don’t see a masquerade standing in one place, as the old saying has it. Ayorinde has moved round, but he’s never lost sight of the movies; and the fruits of decades of steady observation and judgment are here in this new book, which I’m pleased to be able to help welcome into the world.”
In the “Encore” (Last Word) submission in the book, the late President of the Association of Movie Producers, AMP, and founder of African Movies Academy Awards, AMAA, Peace Anyiam-Osigwe, said that the book is a necessary tool to goad the industry towards the right path for the next 30 years.
She added, “The Nollywood industry needs to find its way back to its purest beginning, where collaboration drove the energy in the room. As the industry grew, unfortunately so did its extreme need to be an industry filled with envy and competitive spirit.
“I believe that in the next 30 years, Nollywood would have built proper film studios, which would help our quality control. For us to remain relevant as the content kings, I would love to see Nollywood look deeper inside, celebrating quality, listening and responding to criticism and pushing towards quality.”
